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The Wakeup Venu Dead: How Disney, Fubo Score
Richard Rushfield’s Saving Oscar Series A call to arms for a larger-than-life, more timely show with more best picture awards where all of Hollywood shows up
🎧 Gelson’s, Ralph’s and the Palisades Rob Long on what the grocery stores, lost in the fire, told us about Hollywood
TV ’25: Self-Financed Series and 3 More Market Shifts to Know It’s ‘bet on ourselves’ time, reports Elaine Low, as new rules emerge after a year of ‘streamers and studios’ intense therapy’
TV Sports Surge: Lawyers, Execs & Managers Get Ready to Rumble Kevin Yorn tells Ashley Cullins it’s about an ‘immediate internal rate of return’ as Apple, Amazon and Netflix start moving even faster on rights
AI, YouTube, TikTok: How TV Producers Plan to Cash In in ’25 Manori Ravindran talks to a dozen execs about their New Year mandates
Photos: Globes to Palm Springs🌴Inside screenings and parties with our roving industry photog Todd Williamson
Nickel Boys Team: ‘Everything We Shot Was a Joy’ Director RaMell Ross, his star and cinematographer discuss their film’s innovative ‘sentient camera’ with Katey Rich. Plus: a chat with Wallace and Gromit's Nick Park
Globes: What the Wins, Snubs & Speeches Mean for Oscar (and Not) Katey analyzes what happened
🎧 ‘An Intense Couple of Days’ Devastating personal loss takes center stage in the industry
🎧 Tales From the ’90s: New Line’s Decade of Domination Mike De Luca and Richard Brener tell Richard about the indie studio’s bold bets from Austin Powers to Se7en
🎧 Live from L.A.! Inside Out 2 Director on the Art of Anxiety Kelsey Mann tells Katey that he took inspiration from All About Eve
🎧 Guy Pearce Is Back in The Brutalist, But ‘I Didn’t Ever Go Anywhere’ Katey talks to the L.A. Confidential and Memento star about his new turn
