| By Damon Wise  | | | | | | Francis Ford Coppola's dystopian epic Megalopolis had its world premiere at the Cannes Film Festival on May 16. By Nancy Tartaglione, Anthony D'Alessandro and Baz Bamigboye | | | | | Focus Features has taken the U.S. rights and select int'l territories on upcoming thriller 'Last Breath' Starring Woody Harrelson, Simu Liu … By Diana Lodderhose and Anthony D'Alessandro | | | | | Oscar winner Vanessa Redgrave and Oscar nominee Andrea Riseborough are teaming on the UK drama-thriller. By Andreas Wiseman | | | | | Michael Cera caught Tyler Taormina’s Ham on Rye and became a producing “cheerleader” on Taormina's latest movie … By Baz Bamigboye | | | | | Will Francis Coppola's self-financed passion project Megalopolis still see the light of day stateside even without a U.S. distributor? By Anthony D'Alessandro and Nancy Tartaglione | | | | | Samuel Goldwyn Films Takes North American Rights For ‘Goebbels And The Führer’ From Beta Cinema By Melanie Goodfellow | | | | | The The story follows 16-year-old Dar, who returns to her kibbutz to look for her dog who was lost during the terror attack of October 7. Sh … By Diana Lodderhose | | | | | The action-thriller is being scripted by Narcos co-creator Carlo Bernard. By Andreas Wiseman | | | | | George Miller said at a Cannes Film Festival press conference for Furiosa: A Mad Max Saga that there are more Mad Max stories to be told. By Anthony D'Alessandro | | | | | The film stars Don Johnson, Isabelle Fuhrman, and Jack Huston. By Zac Ntim | | | | | Somali Cannes Title ‘The Village Next to Paradise’ Sells To MAD Solutions For MENA As Totem Posts First Deals + First Trailer By Melanie Goodfellow | | | | | Peter Bart looks at the Bleak Week festival celebrating dark films. By Peter Bart | | | | | Climate warriors engaging film and TV producers to find ways to reduce their carbon footprints. By Diana Lodderhose | | | | | Ben Whishaw on playing a Russian punk poet in Cannes Competition film ‘Limonov: The Ballad’: “His Whole Life Was Rebellion … By Damon Wise | | | | | In her latest Cannes entry, Bird, Andrea Arnold is perfecting her meandering journey through marginalized existences By Joe Utichi | | | | | A review of 'Elizabeth Taylor: The Lost Tapes' uncovers some 40 hours newly discovered recorded interview with the late star who tells it a … By Pete Hammond | | | | | ‘On Becoming A Guinea Fowl’ review: family secrets unravel in Rungano Nyoni’s Zambian funeral drama in a Cannes Film Festi … By Damon Wise | | | | | Rithy Panh's return to the Killing Fields with Rendez-vous avec Pol Pot, a movie that spotlights the importance of today's conflict journali … By Joe Utichi | | | | | Francis Ford Coppola's dystopian epic stars Adam Driver, By Andreas Wiseman | | | | | A compilation of all of Deadline's movie reviews from the 2024 Cannes Film Festival. By Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex | | | |
